Karen Lord

Dec 26, 2012

The Best of All Possible Worlds by Karen Lord

Book cover for THE BEST OF ALL POSSIBLE WORLDS by Karen Lord
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With planet Sadira destroyed, the few remaining Sadiri—mainly men—seek refuge on Cygnus Beta, a veritable melting pot of refugees, races, and cultures. It is here, with the help of biotechnician Grace Delarua, that they search for distant Sadiri cousins with whom to reunite and potentially marry. Their journey takes them far and wide into different places and cultures, all of which have some relation to the now lost Sadira. Along the way, Grace connects with and befriends the reserved Sadiri people, changing her life and theirs forever.

Genocide Shouldn’t Be Lighthearted

Karen Lord’s debut, Redemption in Indigo, has been on my reading list for quite a while, but having never gotten around to it, I jumped at the chance to receive a review copy of her latest book, The Best of All Possible Worlds, and was lucky enough to receive one from Edelweiss in exchange for an honest review. When I read the official book summary and saw Lord’s writing was compared to Ursula K. Le Guin’s, I thought this was going to be an enjoyable reading experience. Alas, some things are not meant to be. The Best of All Possible Worlds is not anything like what its cover and official summary suggest.

There’s no doubt this book has an audience. Many reviews for it are very positive. But I don’t think I’m part of that audience, and I have doubts as to whether most other science fiction readers will be either. Outside of a few humanlike aliens with “psychic mind-linking” capabilities, this is very fanciful science fiction—and, sadly, not that interesting of a fantasy. It’s a far cry from being the social commentary on genocide and racial/ethnic integration I thought it would be. Stripped of all its needless subplots, the story is primarily a run-of-the-mill romance, right down to its stereotypically over-emotional female lead, Grace Delarua.

Joral leaned forward and said earnestly, “You seem to be very sad about leaving. It is all right if you wish to cry, First Officer Delarua. We will not think badly of you. We understand this is common behavior for many Terran females.”

“Well, I’m Cygnian,” I snapped. “And I wasn’t going to cry.” I swear, nothing irritates me more than being overemotional in front of a Sadiri. They make me feel so silly.

It’s Grace Delarua’s first-person perspective you’re mostly stuck with, with occasional (better written) stints in a third-person perspective that focus on the activities and feelings of her eventual (obvious) love interest, Dllenahkh. I unfortunately found it difficult to care about either character, though, never quite connecting to Grace’s unrealistically haywire emotions or Dllenahkh’s forced alien qualities. (He is similar to Spock from Star Trek.)

It doesn’t help that countless one-dimensional minor characters come and go for no good reason. This unfocused plotting means that by the first quarter of the book, Grace has had multiple jobs, taken numerous trips, and visited her sister’s family. The latter subplot could give soap writers a run for their money.

“You bastard,” I said. “I warned you: if you hurt her, if you hurt any of my family, I will deal with you!”

“I’m not hurting them,” he protested. “I take good care of them. They’re happy.”

“Happy little puppets,” I spat, gripping my right wrist in an effort not to slap him. “I should report you to the authorities.”

“You won’t,” he said simply. “You love me. Never stopped.”

Such melodramatic scenes are common in the book.

The problem with The Best is that it’s too superficial, and no amount of melodrama or tangents can mask that. There’s not much in the way of world-building, there’s little effort to flesh out main characters, the dialogue tends to be forced, and the story is too predictable from the beginning. Maybe I’m being too harsh. Then again, in a book that is at least somewhat about people being displaced after highly successful genocide, it’s awfully lighthearted. It feels as though readers are meant to find it cute and amusing that many of the Sadiri men are looking for wives who more closely match their genetic and racial makeup so they can produce, I suppose, purer babies. I find that creepy, not cute—not the ingredients for romance.

Qeturah almost laughed out loud. “Relax, Delarua. It’s a compliment … I think. She was saying that you should be registered on the special list for potential Sadiri brides, and when I pointed out that there was an upper age limit for that, she suggested that extending your fertile years would take care of objections.”

I was already dazedly shaking my head at the wrongness of it all.

“Don’t worry. I told her that with the amount of Ntshune heritage you have, you’ll probably be able to have children for quite a bit longer than the average Cygnian. I estimate you have another twenty-five years, maybe even thirty.”

Because, really, what’s the value of a woman who can’t birth children?

The Best feels a lot like a first draft: something with a glimmer of potential that hasn’t yet been realized. For all these reasons, I can’t give this book the positive review I was hoping to, and I think it will be some time before I try another novel by Karen Lord.

Aside: It appears Del Rey / Random House rather distastefully opted to use a white-skinned woman on the book cover, even though Grace is said to have “cedar-brown skin” (chapter eight, “The Faerie Queen”).

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